June 30, 2008

New Music (7)

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Leila - Blood, Looms and Blooms

UK - Trip-hop/Electronica
Label: WARP Records

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Amnesty International: Olympic Games

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After the Olympic Games the fight for Human Rights must go on.

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Gummi Lighthouses

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Parashell

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Shopers and Sales

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Jay-Z - Wonderwall & 99 Problems

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Cars T-shirt

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Fixed Magazine

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Whaleless

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June 28, 2008

New Music (5)

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Dirty Pretty Things - Romance at Short Notice

UK - Indie/Alternative/Rock
Label: Vertigo

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Today's Obssesion (25)

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Dirty Pretty Things - Plastic Hearts

Björk + Sigur Rós Webcast

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Náttúra Concert, 28 June (tonight), 7PM-12PM (GMT), 10PM-3AM (Romania time)#watch the concert here >>> via >>> (thanks Linda)

Electric Art

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Another Andrew Stanton Interview

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Peter Sciretta: With Monster Inc. there was Mike’s car, with Ratatouille you had my friend the rat, is there going to be something for the DVD for WALL-E?

Andrew Stanton: There is. There’s going to be a sci-fi short that’s very connected to Wall-E that we were very conscious of making sure was produced at the same time as the film and I think people will be pleasantly pleased.

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Bucuresti, 13

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Other Earth

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June 27, 2008

Glastonbury free music

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Download fron The Guardian:

Neon Neon - Belfast
White Denim - Darksided Computer Mouth
Mulatu Astatqé (Ethiopiques) - Yékèrmo Sew
The Shortwave Set - White Lie
CSS - Rat Is Dead
Operator Please - Zero Zero
Crystal Castles - Air War
The Brute Chorus - The Cuckoo and the Stolen Heart
Metronomy - Let's Have A Party
XX Teens - The Way We Were
Foals - Red Sock Pugie
Glasvegas - Be My Baby
Micachu - Curly Teeth
Yeasayer - Sunrise
UNKLE - Heaven (featuring Gavin Clark)

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Michel Gondry Favorite Videos

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Entertainment Weekly kindly asked Michel Gondry about his favorite 25 music videos. Here's the list:

Michael Jackson - ''Billie Jean'' (1983)
Peter Gabriel - 'Sledgehammer'' (1986)
Red Hot Chili Peppers - "Give It Away'' (1991)
Beastie Boys - ''Sabotage'' (1994)
Björk - "It's Oh So Quiet'' (1995)
Herbie Hancock - "Rockit'' (1983)
Jean-Luc Ponty - "Individual Choice" (1983)
Talking Heads - "Burning Down the House" (1983)
Téléphone - "Un Autre Monde" (1984)
The Cure - "Close to Me" (1985)
New Order - "Perfect Kiss" (1985)
Beastie Boys - "Fight for Your Right to Party" (1986)
Run DMC (Feat. Aerosmith) - "'Walk this Way" (1986)
Paul Simon - "You Can Call Me Al" (1986)
Michael Jackson - "Leave Me Alone" (1987)
Madonna - "Like a Prayer" (1989)
Tone Loc - "Wild Thing" (1989)
Young MC - "Bust a Move" (1989)
Massive Attack - "Unfinished Sympathy" (1991)
Lenny Kravitz - "Are You Gonna Go My Way?" (1993)
Jamiroquai - "Virtual Insanity" (1996)
The Pharcyde - "Drop" (1996)
Aphex Twin - "Come to Daddy" (1997)
Devendra Banhart, ''A Ribbon'' (2004)
R. Kelly, ''Trapped in the Closet'' (2005)

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New Music (4)

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Girl Talk - Feed The Animals

SUA - Electronic/Dance
Label: Illegal Art

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New Music (3)

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Kleerup - self titled

Sweden - Pop/Disco
Label: EMI

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Puma I-Cycle Movie Festival

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For the movies, follow the link.

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New Music (2)

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CSS (Cansei de Ser Sexy) - Donkey

Brazil - indie/electro/grunge/reggae
Label: Sub Pop

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Venus Surface Photo

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Alien was Sweded

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For more info about what "sweded" means, Be kind rewind.

My Grandma's Backyard

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Special edition at Bestfest.

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June 26, 2008

Yellow Typewriter

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Lykke Li Interview

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DD: You have a very sensual way of singing, do you find you need certain clothes to help you perform better on tour?
LL:
I wish I could get out of wearing black because usually I just wear black, black, black. For tonight, I found this black silk jumpsuit that is big in the legs and it’s good for floating around which is perfect. I just want to be like Nico and wear black all the time. I usually wear my mum’s old black silk shirts. Every time I try to wear something else, it just doesn’t feel right for the stage.
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Give the Internet back its innocence

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WALL·E director Andrew Stanton Interview

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AVC: How much would you say Pixar has changed as a company since the era of that brainstorming lunch?

AS: It actually hasn't. It's weird. It's changed incredibly, and it hasn't changed at all. And what I mean by that is that it hasn't been the same place for more than a year and a half at a time. It has continually grown and grown and grown. When I started, there were less than 10 people in the animation department, and now there's a thousand. But the tone and attitude of how we work, and the kind of atmosphere we create to make it as artist-friendly and to encourage as much risk-taking as possible, has always existed, and it has adapted itself to work with this scale. And that, I am very impressed with. And shocked. I remember my dad, who formed his own company and went from 12 people to 200 people, the moment he saw us go to 200 people, he said, "Oh, it's all going to change." And he meant that in a negative, skeptical way. And it did change, but it only became more inviting. And I think some of that is because we had a mentality when we were young to hire people based on who they were, not based on their talents. They had to have the right requirements on their résumés, but the most important thing was, "Do I get along working with you? Can I work with you all night in the trenches? If you can get along with everyone in the group, then we'll see if you're the person with the best requirements for whatever the task is." And we've kind of kept that attitude ever since we've grown. It's almost this theory of "If you put a whole bunch of good apples in the barrel, the bad apples just can't stay."

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Candy Karaoke redesigned album covers

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Tom Whalen

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The Apocalipstix

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Yusuke Nishimura

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Illusion Game: XO

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Indiana Jones: Riders of the Lost Ark as a 1930's serial

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Hitchcock Barbie & Stuff

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Anita Mejia

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Levi's Virals

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Klitorik PDF Magazine

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